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<th BGCOLOR=#333F4F colspan=3><font COLOR=#FFFFFF size=-1>Òÿæåëûé Êàê Ðîê</font></th></tr>
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<TD BGCOLOR=#404F64><B><FONT COLOR=#FFC246 SIZE=2>«Èñòîðèÿ ãðóïïû AC/DC»</FONT></B></TD>
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<HR NOSHADE SIZE=1 color=#C1C1C1><nobr><b>Àâòîð - <A HREF="mailto:navara@mail.ru">Navara</A></b></FONT></nobr></FONT></TD>
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<center><IMG SRC="IMG/acdc.gif" WIDTH="450" HEIGHT="180" BORDER="0"></center>
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 íîÿáðå 1973 ãîäà â Ñèäíåå, Àâñòðàëèÿ, íåêòî Ìàëêîëüì ßíã (Malcolm Young) ñôîðìèðîâàë êîëëåêòèâ, êóäà ïðèãëàñèë òàêæå Êîëèíà Áóðãåññà (Colin Bugess) íà óäàðíûå è Ëàððè Âàí Êíåäòà (Larry Van Knedt) íà áàñ. Êíåäò, êñòàòè ñêàçàòü, íå áðåçãîâàë è ñàêñîôîíîì, â òî âðåìÿ êàê Ìàëêîëüì ïîäìåíÿë åãî íà áàñó.
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Ïîçæå ê ãðóïïå ïðèñîåäèíèëñÿ îòêëèêíóâøèéñÿ íà îáúÿâëåíèå â ãàçåòå âîêàëèñò Äýéâ Ýâàíñ (Dave Evans), êîòîðûé, âñëåä çà Ìàëêîëüìîì, ïîêèíóë ãðóïïó Velvet Underground. Àíãóñ ßíã (Angus Young), òîëüêî ÷òî óøåäøèé èç ãðóïïû Kentuckee áûë ïðèãëàøåí ñòàðøèì áðàòîì â ðîëè âòîðîãî ëèäåð-ãèòàðèñòà.
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 äåêàáðå òîãî æå ãîäà â Íüþòîíå êîëëåêòèâ íà÷èíàåò ðåïåòèðîâàòü è â òîò æå ïåðèîä ó ãðóïïû ïîÿâëÿåòñÿ íàçâàíèå - AC/DC. Ýòî íàçâàíèå ïðèäóìàëà ñåñòðà ßíãîâ Ìàðãàðåò, êîòîðàÿ ïðî÷èòàëà ýòó, êàçàëîñü áû, îáû÷íóþ íàäïèñü íà êàêîì-òî áûòîâîì ïðèáîðå (íåêîòîðûå óòâåðæäàþò, ÷òî ýòî áûë ïûëåñîñ, íåêîòîðûå ïðèçíàþò â ìèôè÷åñêîì óñòðîéñòâå øâåéíóþ ìàøèíêó). AC/DC æå, â ïåðåâîäå ñ àíãëèéñêîãî îçíà÷àåò ïåðåìåííûé/ïîñòîÿííûé òîê (alternating current / direct current).
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Îäèí èç ïåðâûõ êîíöåðòîâ ïðîøåë â êëóáå Chequers â Ñèäíåå 31 äåêàáðÿ 1973 ãîäà. Ðåïåðòóàð ãðóïïû ñîñòîÿë òîãäà èç ñîáñòâåííûõ êàâåð-âåðñèé íà êîìïîçèöèè ×àêà Áåððè, The Beatles, The Rolling Stones è äðóãèõ. Íåêîòîðûå êîìïîçèöèè, òàêèå êàê "The Old Bay Road" èëè "Midnight Rock", òàê è îñòàëèñü íåèçäàííûìè.
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Ïåðâûé ñèíãë "Can I Sit Next To You Girl / Rockin' In The Parlour" áûë çàïèñàí â ôåâðàëå 74 ãîäà â ñèäíåéñêîì îòäåëåíèè ñòóäèè EMI. Ïîÿâèâøàÿñÿ ðàíåå ïåñíÿ "Rock 'N' Roll Singer" áûëà çàïèñàíà òàì æå. Ãðóïïó òîãäà ïðîäþñèðîâàë åùå îäèí ïðåäñòàâèòåëü ñåìåéñòâà ßíãîâ - Äæîðäæ ßíã (George Young). Òàêæå îí íå ãíóøàëñÿ çàïèñûâàòü è áàñîâûå ïàðòèè.
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×åðåç íåäåëþ ïîñëå ñòóäèéíûõ ñåññèé íà âûñòóïëåíèè â êëóáå Chequers áàðàáàíùèêó Áóðãåññó ñòàëî ïëîõî è âñêîðå îí óøåë èç ãðóïïû ïî ñîñòîÿíèþ çäîðîâüÿ è çà áàðàáàíû ñåë Äæîðäæ ßíã. Âñêîðå ïîñëå Áóðãåññà êîëëåêòèâ ïîêèíóë Ëàððè Âàí Êíåäò. Ïîñëå ýòîãî áàñèñòû è áàðàáàíùèêè â AC/DC ìåíÿëèñü åùå íåñêîëüêî ðàç.
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<IMG align=right SRC="IMG/history_index.gif" WIDTH="225" HEIGHT="350" BORDER="0">Èñòîðè÷åñêèì ñîáûòèåì â àïðåëå 74-ãî ñòàë îäèí èç êîíöåðòîâ AC/DC â ñèäíåéñêîì Âèêòîðèÿ ïàðêå, êîãäà Àíãóñ ßíã, ïî ïðåäëîæåíèþ âñå òîé æå Ìàðãàðåò, âïåðâûå âûøåë íà ñöåíó â ñâîåé øêîëüíîé ôîðìå. Ïðàâäà, òîãäà íà ñöåíå ñòîÿëà òåëåôîííàÿ áóäêà, â êîòîðîé, ïî õîäó êîíöåðòà, Àíãóñ ïåðåîäåâàëñÿ â ãîðèëëó, Çîððî è Ñóïåð-Àíãà. Èäåÿ ñ ðàçíûìè êîñòþìàìè ïîëó÷èëà ïîääåðæêó ìóçûêàíòîâ, ðåøèâøèõ êàê-òî âûäåëèòüñÿ ñðåäè äðóãèõ àâñòðàëèéñêèõ ãðóïï. Òîãäà æå ïîÿâèëèñü è çíàìåíèòûå ïðûæêè ßíãà-ìëàäøåãî ïî ñöåíå, êîòîðûå îí, êñòàòè, ïåðåíÿë ó ñâîåãî êóìèðà ×àêà Áåððè.
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 èþëå 1974 ãîäà ñèíãë "Can I Sit Next To You Girl / Rockin' In The Parlour" âûøåë â Àâñòðàëèè, Íîâîé Çåëàíäèè íà ëåéáëå Polydor.  Àâñòðàëèè îí ñðàçó ïîïàë â ÷àðòû è áûë îòìå÷åí íåáîëüøèì òóðîì AC/DC ïî ñòðàíå.
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Åùå îäíî èñòîðè÷åñêîå ñîáûòèå ïðîèçîøëî â àâãóñòå òîãî æå ãîäà: ãðóïïå AC/DC áûë ïðåäñòàâëåí áóäóùèé âîêàëèñò Áîí Ñêîòò (Bon Scott, ïîëíîå èìÿ Ronald Scott), áûâøèé âîêàëèñò ãðóïïû Valentines with Bon, ëå÷èâøèéñÿ â òî âðåìÿ ïîñëå àâàðèè.  ñåíòÿáðå â Ìåëüáóðíå ñîñòîÿëñÿ ïîñëåäíèé êîíöåðò ñ Ýâàíñîì â êà÷åñòâå âîêàëèñòà, ïîñëå ÷åãî òîò ïîêèíóë ãðóïïó. Òîãäå æå AC/DC ïðèãëàñèëè ðàáîòàòü â Ìåëüáóðí, ãäå îíè ñîòðóäíè÷àëè ñ Hard Rock Cafe è ãäå â íîÿáðå 1974 ãîäà, ñïóñòÿ ãîä ïîñëå îñíîâàíèÿ êîëëåêòèâà, áûë çàïèñàí ïåðâûé àëüáîì "High Voltage", ñïðîäþññèðîâàííûé Äæîðäæåì ßíãîì è Ãàððè Âàíäîé (Harry Vanda).
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 ÿíâàðå 1975 ãîäà ê AC/DC ïðèñîåäèíèëàñü åùå îäíà âàæíàÿ â èñòîðèè ãðóïïû ëè÷íîñòü - Ôèë Ðàää (Phil Rudd), äî ýòîãî èãðàâøèé â ãðóïïå ïîä íàçâàíèåì Buster Brown.
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17 ôåâðàëÿ â Àâñòðàëèè èçäàþòñÿ àëüáîì "High Voltage" è ñèíãë "Love Song (Oh Jene) / Baby Please Don't Go", êîòîðûé ñòàíîâèòñÿ ïåðâûì õèòîì ãðóïïû è ïîäíèìàåòñÿ â íàöèîíàëüíîì ÷àðòå Àâñòðàëèè äî äåñÿòîãî ìåñòà. Òîãäà æå, ïîñëå ïðåçåíòàöèè LP "High Voltage" â Hard Rock Cafe â Ìåëüáóðíå â ãðóïïó ïðèøåë íîâûé áàñèñò Ìàðê Ýâàíñ (Mark Evans).
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Ëåòîì 1975 AC/DC âûïóñêàþò ñèíãë "High Voltage / Soul Stripper", âòîðîé àëüáîì "T.N.T." è ïîëó÷àþò ñòàòóñ ñóïåðçâåçä, à àëüáîì "High Voltage" ñòàíîâèòñÿ çîëîòûì â Àâñòðàëèè. Ñèíãëû "It's A Long Way To The Top (If You Wanna Rock 'n' Roll) / Can I Sit Next To You Girl", "It's A Long Way To The Top (If You Wanna Rock 'n' Roll)" (êîòîðûé, êñòàòè, â ÿíâàðå 1976 ãîäà äîñòèã 5-ãî ìåñòà â Íàöèîíàëüíûõ ÷àðòàõ) âûøëè â äåêàáðå 1975 ãîäà, à "High Voltage" ê òîìó âðåìåíè óæå ñòàíîâèëñÿ òðèæäû çîëîòûì. Ïîñëå ýòîãî ãðóïïà ïîäïèñûâàåò êîíòðàêò ñî çâóêîçàïèñûâàþùåé ñòóäèåé Atlantic â Ëîíäîíå, ÷òî îïðåäåëèò ñóäüáó ìíîãèõ ïîñëåäóþùèõ àëüáîìîâ AC/DC.
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 íà÷àëå 1976 êîëëåêòèâ ïðèñòóïèë ê çàïèñè î÷åðåäíîãî àëüáîìà - "Dirty Deeds Done Dirt Cheap", à âåñíîé âûïóñêàåò ñèíãë "T.N.T. / Rocker". Êîìïîçèöèÿ T.N.T. ïîïàäàåò â ÷àðòû ñðàçó íà âòîðîå ìåñòî. 27 ìàðòà ñîñòîÿëñÿ, òàêæå, î÷åðåäíîé êîíöåðò, íà êîòîðîì Àíãóñ âïåðâûå îáíàæèë ïÿòóþ òî÷êó.
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 àïðåëå èçäàþòñÿ ñèíãëû "It's A Long Way To The Top (If You Wanna Rock 'n' Roll) / Can I Sit Next To You Girl" è "High Voltage / Soul Stripper" â Âåëèêîáðèòàíèè è Ãåðìàíèè ñîîòâåòñòâåííî, à â ìàå â Âåëèêîáðèòàíèè âûõîäèò "High Voltage" - êîìïèëÿöèÿ äâóõ LP, èçäàííûõ â Àâñòðàëèè. Òîãäà æå â Áðèòàíèè ïðîõîäÿò íåñêîëüêî êîíöåðòîâ AC/DC, â òîì ÷èñëå è âûñòóïëåíèå, ñîñòîÿâøåå èç ÷åòûðåõ ïåñåí, íà ðàäèî ÂÂÑ. Ïîñëå òóðà ïî Òóìàííîìó Àëüáèîíó AC/DC âîçâðàùàþòñÿ â Àâñòðàëèþ, ãäå, â èþëå çàïèñûâàþò î÷åðåäíîé èçâåñòíûé ñèíãë "Jailbreak / Fling Thing" âûøåäøèé êàê â Àâñòðàëèè, òàê è â Ñîåäèíåííîì Êîðîëåâñòâå. Ïîñëåäíÿÿ êîìïîçèöèÿ, êñòàòè, ÿâëÿåòñÿ íàöèîíàëüíîé øîòëàíäñêîé ïåñíåé. Ýòîò ïåðèîä â òâîð÷åñòâå ãðóïïû õàðàêòåðèçóåòñÿ áîëüøèì êîëè÷åñòâîì òóðîâ è âûñòóïëåíèé, âûõîäîì â ñâåò äîëãîæäàííîãî àëüáîìà
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"Dirty Deeds Done Dirt Cheap" è âûïóñêîì â ÑØÀ àëüáîìà "High Voltage".
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 àïðåëå 1977 ãîäà AC/DC áûëè ïðèãëàøåíû ó÷àñòâîâàòü â åâðîïåéñêîì òóðå â ïîääåðæêó Black Sabbath. Òîãäà ïðîèçîøåë èíöèäåíò, ïîñëå êîòîðîãî AC/DC èñêëþ÷èëè èç ó÷àñòíèêîâ òóðà: áàñèñò Black Sabbath Ãèçåð Áàòëåð óãðîæàë Ìàëêîëüìó íîæîì, ïîñëå ÷åãî è ïîëó÷èë îò ïîñëåäíîåãî ïî ëèöó.
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 ìàå 1977 ãîäà ê AC/DC ïðèñîåäèíèëñÿ íîâûé áàñèñò, èãðàþùèé äî ñèõ ïîð - Êëèôô Óèëüÿìñ (Cliff Williams), äî ýòîãî èãðàâøèé â ãðóïïå Home And Bandit. Óæå ñ íèì êîëëåêòèâ íà÷èíàåò ïîäãîòîâêó ê òóðó ïî ÑØÀ â ïîääåðæêó âûøåäøåãî òàì "Let There Be Rock".  àâãóñòå 77-ãî Àíãóñ ïîëó÷èë â ðàñïîðÿæåíèå íîâîå ïî òåì âðåìåíàì óñòðîéñòâî, êîòîðîå ïîçâîëèëî åìó ïîäêëþ÷àòü íà êîíöåðòàõ ñâîþ ãèòàðó áåç èñïîëüçîâàíèÿ ïðîâîäîâ. Ýòîò ïåðåäàò÷èê òóò æå áûë îïðîáîâàí íà êîíöåðòå â Íüþ-Éîðêå.
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 ñåíòÿáðå - îêòÿáðå òîãî æå ãîäà AC/DC ãàñòðîëèðóþò ïî Åâðîïå, ïîñåùàÿ, êðîìå âñåãî ïðî÷åãî, Áåëüãèþ, ãäå òîëïà óñòðîèëà íàñòîÿùèé áóíò, ïîñëå òîãî êàê ìåñòíàÿ ïîëèöèÿ ïîïûòàëàñü îñòàíîâèòü âûñòóïëåíèå. Ýòî ïðîèñøåñòâèå ïîçæå ëåãëî â îñíîâó êîìïîçèöèè "Bedlam In Belgium". Òàêæå â îêòÿáðå ñîñòîÿëñÿ êîíöåðò â Ëîíäîíå íà èïïîäðîìå Ãîëäåðñ Ãðèí. Êîíöåðò áûë ñíÿò ïðîãðàììîé ÂÂÑ "Sight And Sound" è ïàðàëëåëüíî âåùàëñÿ íà Radio 1.
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 äåêàáðå AC/DC ñûãðàëè æèâîé êîíöåðò â ñòóäèè Atlantic Records â Íüþ-Éîðêå. Ïîçæå ýòîò êîíöåðò áóäåò èçäàí òîé æå ñòóäèåé è ñòàíåò êîëëåêöèîííûì, âîéäÿ â ñîñòàâ Bonfire.
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 ôåâðàëå 78-ãî áûëè ñîðâàíû ïëàíû AC/DC óñòðîèòü ãàñòðîëè ïî Àâñòðàëèè - ãðóïïå ôàíàòîâ èç Àíãëèè è Êëèôôó Óèëüÿìñó ìåñòíûå âëàñòè íå äàëè âèçó íà âúåçä. Ïîñëå èíöèäåíòà ìóçûêàíòû ïðèñòóïàþò ê çàïèñè íîâîãî àëüáîìà, êîòîðûé áûëî ðåøåíî íàçâàòü "Powerage", âûøåäøèé â ñâåò óæå â àïðåëå.
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<IMG align=left SRC="IMG/pictures_index.gif" WIDTH="225" HEIGHT="380" BORDER="0">Òàêæå âåñíîé 75 ãîäà â Àâñòðàëèè ñîñòîÿëîñü íåñêîëüêî êîíöåðòîâ AC/DC: æèâîå âûñòóïëåíèå â ýêñöåíòðè÷íîì òåëå øîó "Countdown" ñ Áîíîì Ñêîòîì, îäåòîì øêîëüíèöåé, "Íî÷è õåâè-ìåòàëëà" è âûñòóïëåíèÿ äëÿ øêîëüíèêîâ âñå â òîì æå Hard Rock Cafe è ìíîãèå äðóãèå.
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 ñåíòÿáðå 1978 ãîäà íà ïðîãðàììå "Midnight Special" ðàäèî ABC AC/DC ñûãðàëè êîìïîçèöèþ "Sin City", ïîçæå âîøåäøóþ â ñîñòàâ àëüáîìà Volts.
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 ÿíâàðå 1979 ãîäà íà Albrt Studios â Ñèäíåå ñîñòîÿëàñü ïðåäâàðèòåëüíàÿ ïðåçåíòàöèÿ îäíîãî èç ñàìûõ èçâåñòíûõ àëüáîìîâ AC/DC - "Highway To Hell". Çàïèñûâàÿ êîìïîçèöèè äëÿ íîâîãî àëüáîìà, êîëëåêòèâ ñìåíèë íåñêîëüêî ñòóäèé è ïðîäþñåðîâ, à òàêæå â êà÷åñòâå óäàðíèêà ïîïðîáîâàë ñåáÿ Áîí Ñêîòò. È âñå æå, íåñìîòðÿ íà òàêîé áàðäàê, 30 èþëÿ â ÑØÀ âûøåë àëüáîì "Highway To Hell", ñïðîäþññèðîâàííûé Äæîíîì "Ìàòòîì" Ëýíãîì (John "Mutt" Lange).  àâãóñòå îí óæå çàíèìàë 8-å ìåñòî â ÷àðòàõ Âåëèêîáðèòàíèè, à â íîÿáðå óæå ïîëó÷èë ñòàòóñ çîëîòîãî, êîãäà îáúåìû ïðîäàæ äîñòèãëè 500 000 ýêçåìïëÿðîâ.
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 äåêàáðå AC/DC èãðàþò â Ïàðèæå â Pavillion De Paris äâà êîíöåðòà çà îäèí äåíü. Ïåðâûé çàïèñàí â çâóêîâîì âèäå è èçäàí íà äâóõ äèñêàõ â ñîñòàâå Bonfire ïîä íàçâàíèåì "Let There Be Rock - The Movie", à âòîðîé èçäàí êàê ôèëüì "Let There Be Rock".
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20 ÿíâàðÿ 1980 ãîäà AC/DC áûëè ïðèãëàøåíû â Êàííû íà âðó÷åíèå íàãðàä çà ëó÷øèé àëüáîì. Òîãäà "If You Want Blood You've Got It" è "Highway To Hell" ñòàëè çîëîòûìè âî Ôðàíöèè è ñåðåáðÿíûìè â Àíãëèè, êðîìå òîãî, "Highway To Hell" ñòàë çîëîòûì â Êàíàäå.
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Ñïóñòÿ ìåñÿö, 20 ôåâðàëÿ 1980 ãîäà, â Êîðîëåâñêîì Ãîñïèòàëå â Ëîíäîíå, òðàãè÷åñêè ïðåðâàëàñü æèçíü Áîíà Ñêîòòà. Âå÷åðîì ïðåäûäóùåãî äíÿ îí áûë îñòàâëåí ïüÿíûì â ìàøèíå äðóãà è çàõëåáíóëñÿ ñîáñòâåííîé ðâîòîé. Óòðîì áûëà çàôèêñèðîâàíà ñìåðòü â ðåçóëüòàòå íåñ÷àñòíîãî ñëó÷àÿ. 1 ìàðòà îí áûë ïîõîðîíåí âî Ôðåìàíòëå, â Àâñòðàëèè.
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Ôàíàòû AC/DC äîëãî íå ìîãëè ïîâåðèòü â ñìåðòü âåëèêîãî âîêàëèñòà. Â Ñîâåòñêîì Ñîþçå, íàïðèìåð, ñëàãàëè òàêèå ñòèõè:
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Ïðîñíèñü, âñòàâàé ñêîðåé, Áîí Ñêîòò,<br>
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Ñìîòðè æå: â òðàóðå íàðîä.<br>
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Âñòàâàé, äðóæèùå, è íåñè<br>
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Òÿæåëûé ôëàã AC/DC. <P>
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Âñêîðå AC/DC íà÷àëè ïîèñêè íîâîãî âîêàëèñòà. Ïîäõîäÿùåé êàíäèäàòóðîé îêàçàëñÿ áûâøèé ïåâåö ãðóïïû Geordie Áðàéàí Äæîíñîí (Brian Johnson). Îêàçàëîñü, ÷òî 14-òè ëåòíèé ôàíàò íàïèñàë AC/DC ïèñüìî, â êîòîðîì ãîâîðèëîñü î åãî ëþáèìîì âîêàëèñòå èç ãðóïïû Geordie è î òîì, êàê çäîðîâî îí ñìîòðåëñÿ áû â ñîñòàâå àâñòðàëèéöåâ. Íà ðåïåòèöèîííîé áàçå â Ïèìëèêî íà ïðîñëóøèâàíèè îí èñïîëíèë êîìïîçèöèè "Nutbush City Limits" è "Whole Lotta Rosie" íåïîñðåäñòâåííî ñ ãðóïïîé, ÷òî è îïðåäåëèëî åãî äàëüíåéøóþ ñóäüáó.
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8 àïðåëÿ Äæîíñîí áûë îôèöèàëüíî ïðåäñòàâëåí êàê íîâûé âîêàëèñò AC/DC. Óæå â àïðåëå - ìàå íà Áàãàìàõ êîëëåêòèâ ïðèñòóïàåò ê çàïèñè íîâîãî ìàòåðèàëà (òå 15 ïåñåí, êîòîðûå Áîí Ñêîòò íàïèñàë äî ñâîåé ñìåðòè áûëè îòâåðãíóòû, ïîñêîëüêó ìóçûêàíòû ðåøèëè, ÷òî Äæîíñîíó íå ñòîèò ïåòü èõ ïî ñîîáðàæåíèÿì ìîðàëè è ýòèêè, äà è Áðàéàí îñîáî íå ñïîðèë). Òàê, ÷åðåç íåñêîëüêî íåäåëü ñâåò óâèäåë íîâîå òâîðåíèå AC/DC - "Back In Black" - àëüáîì, ïîëîæèâøèé íà÷àëî íîâîìó ïåðèîäó â òâîð÷åñòâå óæå ñòàâøåãî ñâåðõïîïóëÿðíûì àíñàìáëÿ. Îí èçäàåòñÿ â ÑØÀ è Àíãëèè è ïî÷òè ñðàçó ñòàíîâèòñÿ âî ãëàâå ÷àðòîâ, îñòàâàÿñü òàì â òå÷åíèå äâóõ íåäåëü ê ðÿäó.
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Íà 1979 - 80 ãîäû ïðèøåëñÿ, íàâåðíîå, ïèê ïîïóëÿðíîñòè AC/DC. Î÷åíü ìíîãî âðåìåíè ìóçûêàíòû ïðîâîäèëè â ñòóäèè è íà ãàñòðîëÿõ, ïðè÷åì íîâûå ñèíãëû âçëåòàëè íà âåðøèíû õèò-ïàðàäîâ, à íà êîíöåðòàõ áûëà ñòîïðîöåíòíàÿ ïîñåùàåìîñòü.  íîÿáðå 1980 ãîäà îáúåìû ïðîäàæ äèñêîâ AC/DC äîñòèãëè îòìåòêè â 10 ìèëëèîíîâ ýêçåìïëÿðîâ, ÷òî áûëî îòìå÷åíî ôàíòàñòè÷åñêîé âå÷åðèíîé â Cockney Pride â Ëîíäîíå. Ê êîíöó ãîäà âñå àëüáîìû ãðóïïû äîñòèãàþò ñòàòóñà çîëîòûõ âî Ôðàíöèè ("Back In Black" òîãäà ñòàë ïëàòèíîâûì), âñåãî æå âî Ôðàíöèè íà òîò ìîìåíò ïðîäàâàëîñü 2 ìèëëèîíà àëüáîìîâ.
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 81 ãîäó AC/DC èçäàþò "High Voltage" â ßïîíèè, ïîñëå ýòîãî óåçæàþò â Àâñòðàëèè, ãäå îíè äàëè ïåðâûå êîíöåðòû çà 4 ãîäà, èìåâøèå îãðîìíûé óñïåõ. "Back In Black" æå ïðîäàåòñÿ òèðàæîì 12 ìèëëèîíîâ, ïðè÷åì 5 ìèëëèîíîâ èç íèõ ïðèøëèñü íà ÑØÀ.
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 àâãóñòå 81-ãî AC/DC âûñòóïàþò â ðîëè õåäëàéíåðîâ íà âòîðîì ôåñòèâàëå "Monsters Of Rock" â Äîíèíãòîíå, Àíãëèÿ, ñîáðàâøåì 65 òûñÿ÷ ÷åëîâåê.  êîíöå 81-ãî ãîäà â ñâåò âûõîäèò ñèíãë "For Those About To Rock We Salute You", êîòîðûé â òå÷åíèå 3-õ íåäåëü ëèäèðóåò âî ìíîãèõ ÷àðòàõ Åâðîïû è ÑØÀ. ×åðåç äâå íåäåëè ïîñëå âûõîäà âî Ôðàíöèè ýòîò ñèíãë áûë ïðîäàí òèðàæîì 400 000 ýêçåìïëÿðîâ.
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Àïðåëü 1983 ãîäà îçíàìåíîâàëñÿ äëÿ AC/DC íà÷àëîì ñòóäèéíîé ñåññèè ïî çàïèñè êîìïîçèöèé äëÿ àëüáîìà, ïîëó÷èâøåãî íàçâàíèå "Flick Of The Switch". Òîãäà, íà Áàãàìàõ, áûëî çàïèñàíî 13 òðåêîâ, 3 èç êîòîðûõ ïî ñåé äåíü îñòàþòñÿ íåèçäàííûìè.  ìàå êîëëåêòèâ ïîêèíóë Ôèë Ðàää: ýòî ïðîèçîøëî èç-çà åãî ðàçíîãëàñèé ñ îñòàëüíûìè ìóçûêàíòàìè è ïðèñòðàñòèÿ ê íàðêîòèêàì. Íà ñìåíó åìó ïðèøåë Ñàéìîí Ðàéò (Simon Wright). Óæå ñ íèì â êà÷åñòâå áàðàáàíùèêà AC/DC âûïóñòèëè ñâîé íîâûé àëüáîì, êîòîðûé ñ÷èòàåòñÿ îäíèì èç ñàìûõ òÿæåëûõ çà âñþ èõ èñòîðèþ.  ÑØÀ îí çíà÷èëñÿ íà 15-ì ìåñòå, à â Àíãëèè - íà 4-ì.
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18 àâãóñòà 84-ãî ãîäà AC/DC âîçãëàâèëè âîñüìîé ïî ñ÷åòó ôåñòèâàëü "Ìîíñòðû Ðîêà" â Äîíèíãòîíå, äî ýòîãî ïîáûâàâ âìåñòå ñ ýòèì æå ôåñòèâàëåì ÷óòü ëè íå â ïîëîâèíå åâðîïåéñêèõ ñòðàí.  îêòÿáðå â ðÿäå ñòðàí áûë èçäàí àëüáîì "'74 Jailbreak", ñîñòîÿùèé âñåãî èç ïÿòè ïåñåí, ïîñëå ÷åãî íà÷àòà çàïèñü àëüáîìà "Fly On The Wall".
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 85-ì AC/DC âûñòóïàþò çàãëàâíîé ãðóïïîé íà ôåñòèâàëå "Rock In Rio" â Ðèî Äå Æàíåéðî ïåðåä òðåõñîòòûñÿ÷íîé òîëïîé. Êîíöåðòû òðàíñëèðóþòñÿ ïî òåëåâèäåíèþ ïðàêòè÷åñêè ïî âñåìó ìèðó.  èþíå 1985 ãîäà îáùèé îáúåì ïðîäàæ äèñêîâ AC/DC äîñòèã îòìåòêè â 30 ìèëëèîíîâ åäèíèö.
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 ñåíòÿáðå 1985 ãîäà AC/DC îêàçàëèñü â öåíòðå ñêàíäàëà, ñâÿçàííîãî ñ ñåðèéíûì óáèéöåé Ðè÷àðäîì Ðàìèðåñîì. Êàê âûÿñíèëîñü, â åãî êâàðòèðå áûëà íàéäåíà êåïêà ñ ëîãîòèïîì AC/DC, à êîìïîçèöèÿ AC/DC "Night Prowler" çàñòàâèëà åãî ñîâåðøèòü 16 óáèéñòâ . Ïðåññà (îñîáåííî â ÑØÀ) îáâèíèëà ìóçûêàíòîâ â ïîêëîíåíèè äüÿâîëó, à âëàñòè ãîðîäîâ Ñïðèíãôèëä è Äàëëàñ çàïðåòèëè èì âûñòóïàòü ó ñåáÿ.
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27 ìàÿ 1986 ãîäà áûë çàïèñàí è èçäàí î÷åðåäíîé ñèíãë "Who Made Who", à àëüáîì "Who Made Who" ñòàë ñàóíäòðåêîì ê ôèëüìó Ñòèâåíà Êèíãà "Íà ïðåäåëüíîé ñêîðîñòè" ("Maximum Overdrive" by Stephen King).
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Óæå ÷åðåç ãîä íà÷àòà çàïèñü àëüáîìà "Blow Up Your Video", à â ÿíâàðå - ôåâðàëå 88-ãî îí âûõîäèò â Åâðîïå è â ÑØÀ, â Àíãëèè çàíÿâ 2-å ìåñòî â Àíãëèéñêèõ ÷àðòàõ.
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 àïðåëå 1988-ãî Ìàëêîëüì ßíã íà âðåìÿ ïîêèäàåò êîëëåêòèâ äëÿ òîãî, ÷òîáû âûëå÷èòü ñâîå ïðèñòðàñòèå ê àëêîãîëþ. À çàìåíèë åãî åùå îäèí ïðåäñòàâèòåëü ñåìåéñòâà ßíãîâ ïëåìÿííèê Ìàëêîëüìà Ñòèâè ßíã (Stevie Young).
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 íà÷àëå 89-ãî ãîäà AC/DC íà÷àëè ðàáîòó íàä ñëåäóþùèì àëüáîìîì.  ýòî âðåìÿ Ñàéìîí Ðàéò óõîäèò ê Dio, à çàìåíîé åìó ñòàë Êðèñ Ñëýéä (Chris Slade), äî ýòîãî ðàáîòàâøèé âî ìíîãèõ êîëëåêòèâàõ, â òîì ÷èñëå â Uriah Heep. Îí è ïðîäîëæèë ðàáîòó íàä ñëåäóþùèì äèñêîì.
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 1989 ãîäó â Ïàíàìå ïðîèçîøëà îäíà çàáàâíàÿ èñòîðèÿ ñâÿçàííàÿ ñ àëüáîìîì "Highway To Hell": àìåðèêàíñêèé äåñàíò ïðîâîäèë îïåðàöèþ ïî ëèêâèäàöèè äèêòàòóðû ìåñòíîãî ãåíåðàëà è íàðêîáàðîíà. Òîò çàñåë â ïîñîëüñòâå Âàòèêàíà, ïîñëå ÷åãî åãî íà÷àëè âûêóðèâàòü îòòóäà, óñòàíîâèâ íà óëèöå ìîùíûå äèíàìèêè è âêëþ÷àÿ Led Zeppelin, Black Sabbath è ìíîãîå äðóãîå. Íî ñäàëñÿ ýòîò ÷åëîâåê, ïîñëóøàâ èìåííî "Highway To Hell". Ïîñëå ýòîãî Áðàéàí Äæîíñîí çàÿâèë, ÷òî íà ãàñòðîëè â Âàòèêàí èõ, íàâåðíîå, óæå íå ïðèãëàñÿò.
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 íà÷àëå 90-õ AC/DC ïåðåáèðàþòñÿ â ñòóäèþ Windmill Road â Èðëàíäèè äëÿ ïðåäâàðèòåëüíîé ïðåçåíòàöèè íîâîãî àëüáîìà. À óæå ëåòîì â Âàíêóâåðå, Êàíàäà, îíè çàïèñûâàþò "The Razor's Edge". Óæå â ñåíòÿáðå "Ëåçâèå Áðèòâû" ïîÿâëÿåòñÿ â ìóçûêàëüíûõ ìàãàçèíàõ ÑØÀ, Åâðîïû è Àâñòðàëèè. Ê îêòÿáðþ íîâîå äåòèùå ãðóïïû äîñòèãàåò 2-ãî ìåñòà â ÷àðòàõ ÑØÀ ïðè ïðîäàæå 3-õ ìèëëèîíîâ êîïèé, à â Áðèòàíèè àëüáîì âûõîäèò íà ÷åòâåðòîå ìåñòî.
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Òåì âðåìåíåì "Back In Black" óäàðíûìè òåìïàìè äîñòèãàåò çâàíèÿ äåñÿòèêðàòíî ìóëüòèïëàòèíîâîãî àëüáîìà ðàñõîäÿñü òèðàæîì â 10 ìèëëèîíîâ ýêçåìïëÿðîâ â ÑØÀ. Îáùèå æå ïðîäàæè äèñêîâ ãðóïïû ñîñòàâëÿëè óæå 60 ìèëëèîíîâ êîïèé.
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28 ñåíòÿáðÿ 1991-ãî ãîäà â ðàìêàõ î÷åðåäíîãî ôåñòèâàëÿ "Monsters Of Rock / Rock Around The Block" âìåñòå ñ Ìåòàëëèêîé AC/DC ïîñåùàþò è Ðîññèþ. Ýòî ìåðîïðèÿòèå ïîëó÷èëî íàçâàíèå "òóøèíñêîãî ïîïîèùà", êîãäà íà ìîñêîâñêîì àýðîäðîìå ñîñòîÿëñÿ êîíöåðò âûøåîçíà÷åííûõ êîëëåêòèâîâ. Ïîñìîòðåòü íà çâåçä ïðèøëî ÷òî-òî îêîëî 500 000 ÷åëîâåê, îò êîòîðîûõ AC/DC îõðàíÿëè îòáîðíûå ñîåäèíåíèÿ ÑÀ. Ïîçæå ýòîò êîíöåðò áûë èçäàí íà âèäåî ïîä íàçâàíèåì "For Those About To Rock - Monsters In Moscow".
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Íåçàäîëãî äî ýòîãî âñå â òîì æå Äîíèíãòîíå â ñòàðîé äîáðîé Àíãëèè ñîñòîÿëîñü âûñòóïëåíèå, òàêæå èçäàííîå íà âèäåî êàê "Live At Donington". Ýòî òîæå áûëî ÷àñòüþ ôåñòèâàëÿ "Ìîíñòðû Ðîêà" è AC/DC ñíîâà áûëè íà íåì âåäóùåé ãðóïïîé.
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 ÿíâàðå - àâãóñòå 92-ãî íà ñòóäèè â Âàíêóâåðå AC/DC ðàáîòàþò íàä ñîçäàíèåì àëüáîìà "Live", êîòîðûé âêëþ÷àë â ñåáÿ òîëüêî æèâûå êîìïîçèöèè, çàïèñàííûå â õîäå ìèðîâîãî òóðà ãðóïïû.  ðåçóëüòàòå áûë âûïóùåí àëüáîì íà îäíîì CD, çàòåì ïîÿâèëñÿ äâîéíîé CD (Live, Special Collector's Edition), êîòîðûé âîøåë â ñîñòàâ Bonfire, à òàêæå âèäåî "Live At Donington".
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30 îêòÿáðÿ â Àâñòðàëèè ïîÿâèëñÿ íåñêîëüêî íåîáû÷íûé ñèíãë AC/DC "Highway To Hell (Live) (Including Bonny Intro) - High Voltage (Live) - Hell Ain't A Bad Place To Be (Live)". "(Including Bonny Intro)" åñòü êàê ðàç íà äâîéíîì "Live" è çàïèñàíà îíà êàê ðàç ïåðåä êîìïîçèöèåé "Highway To Hell". À "Bonny" - åñòü íè ÷òî èíîå êàê ïåñíÿ, èñïîëíÿåìàÿ òîëïîé ïîä àêêîìïàíåìåíò Àíãóñà è ïîñâÿùåííàÿ áåçâðåìåííî îò íàñ óøåäøåìó Áîíó Ñêîòòó. (À âîîáùå, îðèãèíàëüíîå íàçâàíèå ýòîé íàöèîíàëüíîé øîòëàíäñêîé ïåñíè - Loch Lomond (Scottish Air), ïî íàçâàíèþ îçåðà â Øîòëàíäèè). Âñêîðå "Live" ñòàíîâèòñÿ â ÑØÀ ïëàòèíîâûì äèñêîì.
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 íà÷àëå 1993-ãî ãîäà AC/DC çàïèñûâàþò êîìïîçèöèþ "Big Gun", êîòîðàÿ âîéäåò â ñîñòàâ ñàóíäòðåêà ê ôèëüìó "Ïîñëåäíèé êèíîãåðîé" èëè "Ïîñëåäíèé ãåðîé áîåâèêà" ("Last Action Hero") ñ Àðíîëüäîì Øâàðöåíåíããåðîì â ãëàâíîé ðîëè. Òîãäà æå áûë ñíÿò çàìå÷àòåëüíûé âèäåîêëèï íà "Áîëüøóþ Ïóøêó", ãäå â ãëàâíûõ ðîëÿõ ñíèìàëèñü À. ßíã, À. Øâàðöåíåããåð, Á. Äæîíñîí è îñòàëüíûå ó÷àñòíèêè êîëëåêòèâà.  îäíîé èç ñöåí êëèïà îãðîìíûé Àðíîëüä, íàðÿæåííûé â øîðòû, ãàëñòóê è ðóáàøêó íîñèò ïî ñöåíå ìàëåíüêîãî ïî òåëîñëîæåíèþ Àíãóñà íà ðóêàõ.
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Ëåòîì 94-ãî, ïîñëå âîçâðàùåíèÿ â ãðóïïó Ôèëà Ðàääà, ìóçûêàíòû íà÷èíàþò çàïèñü íîâîãî ìàòåðèàëà íà ñòóäèè Sony â Íüþ-Éîðêå. Çàòåì, ïðàâäà, ðàáîòó ïðèøëîñü íà÷àòü çàíîâî, ïîñêîëüêó êîëëåêòèâ ïåðååõàë íà ñòóäèþ Ocean Ways â Ëîñ Àíäæåëåñ.  êîíöå àâãóñòà 95-ãî ïîÿâèëñÿ íîâûé àëüáîì "Ballbreaker" - îäèí èç íàèáîëåå óäà÷íûõ äèñêîâ, ïîÿâëåíèå êîòîðîãî ñîâïàëî ñ äðóãèì çíàìåíàòåëüíûì ñîáûòèåì: AC/DC ïîëó÷àþò íàãðàäó Warner Music Int'l, êîãäà îáùèå ïðîäàæè èõ òâîðåíèé äîñòèãàþò 80-òè ìèëëèîíîâ ýêçåìïëÿðîâ ïî âñåìó ìèðó, çà èñêëþ÷åíèåì, ðàçâå ÷òî, Àâñòðàëèè è Íîâîé Çåëàíäèè.
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 îêòÿáðå 1995-ãî "Ballbreaker" âûõîäèò íà 4-å ìåñòî â ÑØÀ è ïîëó÷àåò çâàíèå ïëàòèíîâîãî. Çàòåì, â àïðåëå 96-ãî AC/DC îòïðàâëÿþòñÿ â òóð ïî Åâðîïå â ïîääåðæêó íîâîãî àëüáîìà, â õîäå êîòîðîãî 10 èþëÿ áûë çàïèñàí åùå îäèí äîñòàòî÷íî èçâåñòíûé êîíöåðò "No Bull - Live Plaza De Toros De Las Ventas, Madrid", ïðîõîäèâøèé â Ìàäðèäå, Èñïàíèÿ, íà àðåíå äëÿ áîÿ áûêîâ (Plaza De Toros).
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Òîãäà æå, 5 èþëÿ, ãðóïïà äàåò êîíöåðò â ñòóäèè VH1 â Ëîíäîíå, ãäå èãðàþòñÿ 12 êîìïîçèöèé, íåêîòîðûå èç êîòîðûõ íèêîãäà íå èñïîëíÿëèñü Äæîíñîíîì. 29 èþëÿ â ðàìêàõ ñúåìîê ôèëüìà "Ãîâàðä Ñòåðí: ×àñòè òåëà" ("Howard Stern: Private Parts") â Áðàéàíò Ïàðêå â Íüþ-Éîðêå AC/DC èãðàþò "You Shook Me All Night Long" - ïåñíÿ, êîòîðàÿ åùå ñ 80-õ ÿâëÿåòñÿ îôèöèàëüíûì ãèìíîì Ñòåðíà.
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Âåñíîé 1997 ãîäà AC/DC íà÷èíàþò ðàáîòó íàä êîëëåêöèîííûì èçäàíèåì Bonfire. Âñêîðå âûõîäÿò ñèíãë "Dirty Eyes" è "Bonfire". Òîãäà æå "Back In Black" ñòàíîâèòñÿ øåñòíàäöàòèêðàòíûì îáëàäàòåëåì ìóëüòèïëàòèíîâîãî ñòàòóñà â ÑØÀ, îáúåìû åãî ïðîäàæ äîñòèãàþò 16 ìèëëèîíîâ è îí ñòàíîâèòñÿ âòîðûì ñàìûì ïðîäàâàåìûì õàðä-ðîêîâûì àëüáîìîì â Àìåðèêå.
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Çàòåì AC/DC ïðîäîëæàþò ðàáîòó íàä íîâûì àëüáîìîì è âåñíîé 2000-ãî ãîäà ìèðó ÿâèëè "Stiff Upper Lip" - ïåðâûé ïîñëå ïÿòèëåòíåãî ïåðåðûâà è ïîñëåäíèé íà ñåãîäíÿøíèé äåíü àëüáîì. Íî èñòîðèÿ âåëèêîé ãðóïïû ïðîäîëæàåòñÿ, òèðàæè ðàñòóò. AC/DC forever!
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<P ALIGN="Right">Ïåðåâåäåíî è ñîñòàâëåíî : Navara (navara@mail.ru)</P>
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Åñëè ó Âàñ åñòü åùå ïîëåçíàÿ èíôîðìàöèÿ, òî <A HREF="mailto:rock@rock.ru">ïèøèòå</A>
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è ìû ñ ðàäîñòüþ îïóáëèêóåì åå.
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<P ALIGN="right"><strong>Old Rocker</srtong></P>
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<center><B><FONT FACE="Verdana" SIZE=-2 COLOR="#B4B4B4">Copyright © 2001-2002.<br>
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Âåá-äèçàéí è îñíîâíàÿ èäåÿ - <A HREF="http://rocklive.by.ru">Rozanov Oleg</A>(Old Rocker)</FONT>
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</B></center>
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<P ALIGN="Center"><FONT class=text2><B>Ðåêëàìà íà ñåðâåðå</B></FONT><br>
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<img src=http://musicclub.ru/bx/banner.cgi?id=260?pg=0011001001 width=468
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